
Year by year, the records, co-signs and stages that built Stalk Ashley — with the music from each era and the press that covered it.



Lightning strikes twice with Sean Paul, the singles keep coming, and the Caribbean Music Awards name her a double nominee — this time as an artist, not just for a song.
A VP Records reunion with the producer behind much of her catalogue, a commanding Sumfest Blitz set with a surprise-that-wasn’t guest, and her first Caribbean Music Awards nomination.
The defining year: a nail brand, a Pepsi ambassadorship, a record that hit #12 on YouTube’s global Trending chart, and a debut album stacked with dancehall’s biggest names.
“Narcissistic” tops the Jamaican charts for weeks, Brooklyn’s Mixpak Records puts out “Top Body”, and she steps onto Reggae Sumfest’s Catherine Hall stage for the first time.
Collaboration season: a dancehall remix with London and New York, a three-continent single with Nigeria and the UK, and the premiere of the duet that would rule the following year.
Named to the Dazed 100 list of rising creatives, and signed to Atlantic Records UK for her first major-label project — an audio-visual EP she described as walking listeners through adolescence into womanhood.
A freestyle project, a double single with a West London trio, an Audiomack cover feature and a year-ending co-sign from one of dancehall’s biggest stars.
Her debut solo single lands in February, Stormzy hand-picks her for the BBC Radio 1 Live Lounge in September, and “Young” closes the year as the record that still defines her.
A freestyle entered into Jada Kingdom’s “Banana challenge” is reposted by Jada herself, passes 100,000 views and turns an unknown singer from the Jamaican countryside into the name on every timeline.
Every release, every collaborator and every stage — in detail.
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